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PAM ROYDS 1924 - 2016

Pam Royds on Grasmere , 1971 with Sally Christie, children’s author and daughter of Philippa Pearce. I was just twenty two when I fir...

About Me

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My blog is about writing and illustrating children's books which I have been doing since 1974. www.gillianmcclure.com has all my books. I also have another blog: www.paulcoltman.blogspot.com where I publish my father's poems.

Saturday, 31 May 2014

STEYNING FESTIVAL

One of my favourite festivals is the Steyning Festival because Steyning was where I was brought up. On the May Bank Holiday weekend, I did a children’s workshop based on my picture book We’re Going to Build a Dam in the lovely garden at the back of Steyning bookshop. Here we all are in the marquee; I had a great audience – very responsive and imaginative.
In this part of the workshop, after looking at original artwork, the children have puppet characters and are building a dam out of card cut-outs of boulder, driftwood, pebbles, sand and seaweed. The pieces have velcro on the back and stick easily onto a board covered in black fabric.
Then, after the crab has pinched the dog’s tail and the dog has grabbed its favourite piece of wood out of the dam, there’s the fun of the dam all coming apart.
At the end the children drew their own dams.This is Camilla Fielder’s beautifully drawn dam with the crab 

and this lovely picture was done by her younger brother, Oscar.

Monday, 12 May 2014

GUMBLE'S YARD

Sadly, John Rowe Townsend has died; his funeral was on 3 April. He was married to Jill Paton Walsh. As their house is just a short distance along the bank of the Cam from my own, we regularly had tea together at 4pm and I’ll always remember John for his amusing anecdotes. He had a brilliant memory and could quote from books and recite poem after poem.
    John’s death prompted me to re-read his first children’s book, Gumble’s Yard (1961) 
The children in this story are poor, living in a deprived urban setting in the north of England. John was breaking new ground here, for until then children’s book characters were invariably middle class and living in pleasant settings. The Puffin edition has powerful illustrations by Dick Hart in a strong dark line.
     Gumble’s Yard is narrated in the first person by Kevin and starts with him walking, with his sister Sandra and their friend, Dick through a neighbourhood called the Jungle because all the streets are named after tropical flowers:
‘It was a fine spring day, not warm but with a sort of hazy sunshine. Summer was coming, and blades of grass were showing between the stone setts, and soon the weeds would blossom on the empty sites. The days were getting longer. Next week perhaps we would be playing cricket after school. There was a dog in Mimosa Row that I was getting very friendly with. I was going to make a soap-box car for Harold. Life was full of interesting things to do.
We walked three abreast, with Sandra in the middle. And as we turned the corner into our own street I felt happy and burst out singing.
‘Hark at him!’ said Sandra. ‘Not a care in the world.’
‘Where does it hurt, Kevin?’ asked Dick with mock sympathy.
‘I’ll hurt you in a minute!’ I said.
And we started a friendly scuffle, the kind that happens a dozen times a day. 

When their feckless uncle and aunt vanish, Kevin, Sandra and two younger children, with Dick’s help, are forced to do a moonlight flit to a deserted warehouse named Gumble’s Yard. 
    Stories about children fending for themselves and trying to avoid Social Services –
(‘the Cruelty,’ in John’s story) always fascinated me as a child. Eleanor Graham’s The Children whoLived in a Barn (1938) was a favourite book of mine but the children in that story were from a middle class family and the setting was much more idyllic than that of Gumble’s Yard. John’s book differs in another way from Eleanor Graham’s; the children in Gumble’s Yard find themselves caught up in a fast- moving mystery when they encounter a highly organised criminal gang operating at night in the deserted warehouse by the canal.
In both stories, the adults eventually return but while the children in Eleanor Graham’s story are returned happily to the comfortable existence they had known before, the children in John’s story are not so pleased to see their feckless aunt and uncle again and the prospect of returning to their old life is not appealing.
Kevin and Sandra have to come to terms with the fact that,

“Even an unsatisfactory family life is better than none.”

And accept their life as it is:

“So you see…we can’t always have what we want.”
“We can always hope,” said Sandra, in her matter-of-fact tone that often sounds so grown-up.

And the story ends as it began with the sunny optimistic refrain of childhood:
‘It was a fine spring day, not warm but with a sort of hazy sunshine. Summer was coming, and blades of grass were showing between the stone sets, and soon the weeds would blossom on the empty sites. The days were getting longer. Next week perhaps we would be playing cricket after school. There was a dog in Mimosa Row that I was getting very friendly with. I was going to make a soap-box car for Harold. Life was full of interesting things to do.
We walked three abreast, with Sandra in the middle. And as we turned the corner into our own street I felt happy and burst out singing.
‘Hark at him!’ said Sandra. ‘Not a care in the world.’
‘Where does it hurt, Kevin?’ asked Dick with mock sympathy.
‘I’ll hurt you in a minute!’ I said.
And we started a friendly scuffle, the kind that happens a dozen times a day.

I can hear John reading this passage aloud, with his quiet smile and a twinkle in his eye.

Wednesday, 30 April 2014

TOG THE RIBBER READING

On Monday 26 May at 7pm there will be a celebration of two Steyning Grammar School poets, Ted Walker and Paul Coltman as part of the Steyning Festival.
I will be reading Tog the Ribber by Paul Coltman and showing the illustrations. Here's a preview:















Wednesday, 2 April 2014

SEVEN STORIES STORY LAB GALLERY

Last week I travelled to Newcastle and saw the new Story Lab gallery at Seven Stories. Here are some images of it and on this link Seven Stories Blog a bit more about the work I've donated to the archive and what they are doing with it.






Monday, 17 March 2014

FLOODS

A few years ago I did a residency at Wisbech St Mary’s Primary School and out of it came a flood story. We had been looking at old photos of the 1947 Cambridgeshire Fen floods. One of the pupil’s grandfather remembered those floods and his reminiscences fed into the writing and stories we were working on during the residency.
It was pictures like this of incongruous things floating in the flood that inspired some of the images in my picture book Flood though I was careful not to include anything too human floating around.

 Instead, I tried to create the surreal beauty of nature gone topsy-turvy:





I was working on these pictures this winter against a back drop of all the flooding in the south west of England. It was quite a submerging experience and now the book is complete I’m relieved to be back on dry land again. 






Sunday, 23 February 2014

SCHOOL INSPECTORS


I recently had a school visit that clashed with an Ofsted school inspection; not something that often occurs. The day before my visit, at the close of school, the phone had rung and two Ofsted inspectors had announced they would be arriving the next morning and staying for two days. It was the school’s Book Week. Not many lessons had been planned because of the author visit. The week had been freed up for follow-up activities and everyone was looking forward to dressing up as favourite characters in books, and enjoying a week of stories and reading. But the Inspectors weren’t coming to see an author in action; they wanted phonics and maths lessons. So after the phone call, the teachers had all stayed in their classrooms late into the evening preparing 'serious' lessons. The next day they were stressed, Book Week was fast becoming irrelevant and I spent the day dodging the two inspectors as they went from classroom to classroom looking for phonics lessons.
    How different it all was from another inspection four decades earlier when I was a young teacher in an infant school. I too was trying to give an impressive phonics lesson in ITA (the Initial Teaching Alphabet) but the inspector seemed more interested in a home-made picture book of mine written in the Initial Teaching Alphabet,  and the little boy from the caravan park who was sitting in a big arm chair in the reading corner looking at the pictures.

The inspector took the book away with him and sent it off to a publisher. It was as a result of this school inspection that I changed careers and became an author/illustrator after The Emperor's Singing Bird was published by Andre Deutsch in the normal alphabet two years later. 


My contact with that schools’ inspector didn’t end there. He later asked me to illustrate a book of his own. The name of the inspector who came into my classroom was Alan Jamieson and here are some of the illustrations I did for his book The Carnferry Gang.





Friday, 7 February 2014

EXHIBITIONS


This is the mark on a wall where a picture once hung. I've had a lot of these marks to deal with and I'm left with a lot of blank wall. This is because the pictures are now all hanging in the Ipswich Art School Gallery; part of an exhibition of East Anglian children's book illustrators. My walls will be bare until May.
Coinciding with the Once Upon a Time exhibition, I have giclee prints for sale at Browsers Bookshop and Cafe in nearby Woodbridge where there is a good children's section. Sadly the children's bookshop Young Browsers closed last year.
In Newcastle, I also have some early illustrations from Tog the Ribber hanging at Seven Stories' new Storylab Gallery as part of 'Picturebooks in Progress' showing how a picture book is created from early ideas to final artwork.
You can read more about this brand new gallery and 'Picturebooks in Progress' in the Seven Stories Collection Team blog.