Featured post

PAM ROYDS 1924 - 2016

Pam Royds on Grasmere , 1971 with Sally Christie, children’s author and daughter of Philippa Pearce. I was just twenty two when I fir...

About Me

My photo
United Kingdom
My blog is about writing and illustrating children's books which I have been doing since 1974. www.gillianmcclure.com has all my books. I also have another blog: www.paulcoltman.blogspot.com where I publish my father's poems.

Wednesday, 18 April 2012


An Authors’ Licensing & Collecting Society focus meeting was held in Cambridge last week. Barbara Hayes (in the photo) and her team wanted authors’ views on the organisation that collects and distributes our monies from photocopying and overseas PLR. It was an hour’s meeting followed by a light lunch at Cambridge Central Library. A dozen authors were present.
I must say, my view of ALCS was changed for ever by the end of the meeting. What had been a puzzling acronym sending out puzzling royalty statements suddenly became an organisation all authors should know about. ALCS is helpful and friendly and is looking after our interests. They even offer authors the use of a room at The Writers’ House (between Aldgate and Tower Hill) where tea and coffee are served, where a laptop is available and where there’s a sofa. It sounds as good as having a London club. I’m definitely going to try it out.

Sunday, 8 April 2012


“You can't have your little girl main character losing her temper and going off to sea without her dear old dog.” So said an editor on seeing the first draft of Zoe's Boat years ago.

So I duly changed it and, in this draft which incidentally was all in dialogue, had the dog recalcitrant and Zoe sad he wouldn’t go with her.  

But do you always have to have a faultlessly appealing main character for a picture book to sell?

David Fickling, in the case of Zoe's Boat, didn't think so. He said Zoe getting cross with her dog and leaving him behind felt true. (I do remember once leaving the family dog behind in a lay-by after stopping on a long journey because a child was travel sick, but that was a terrible accident and thankfully the dog was still there when we returned an hour later.)

 Relieved, I reverted to the first draft for, in toning everything down in order to make Zoe more appealing, I’d inadvertently toned down the dynamic in the narrative and lessened the crisis needed at this point to break up the long build up to the main crisis point. Being asked to change the emotion a little had upset the fine tuning of the whole structure of the story. This is the problem with picture book texts - they're not that straight forward - alter one small thing and something bigger goes wrong.