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PAM ROYDS 1924 - 2016

Pam Royds on Grasmere , 1971 with Sally Christie, children’s author and daughter of Philippa Pearce. I was just twenty two when I fir...

About Me

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My blog is about writing and illustrating children's books which I have been doing since 1974. www.gillianmcclure.com has all my books. I also have another blog: www.paulcoltman.blogspot.com where I publish my father's poems.
Showing posts with label Chris Stephenson. Show all posts
Showing posts with label Chris Stephenson. Show all posts

Thursday, 21 April 2011

LED CREATIVELY BY THE BOOK

In his article 'Led Creatively by the Book' in the Carousel Guide, Chris Stephenson writes: 'The body and soul of a picture book - illustrations, text, type design - should all evolve together.’
This is exactly what I wanted to do when I started working with typographic designer Lisa Kirkham,
and The Little White Sprite, with the tree dominating the page lent itself to the close interlacing of twigs, typeface and story.
    Starting with a rough like the one above, where the text was all in a block, we would work together positioning it into a more organic shape –
We were coming from different directions and that was exciting. Whereas I was used to thinking broadly about the picture book’s overall rhythms – the punctuation of page turns to create pause and suspense in a story, Lisa’s decisions were informed by the reading movement of the eye.  The placement of text and type design was like a form of visual intonation with spaces for breaths.  
    For example, words in a sentence singled out and moved to another line, like ‘a hole’, catch the eye and are given emphasis. We had to decide whether the emphasis was appropriate for that bit of the story.  
Whereas I might find a particular pattern of text, like that on the right hand page above, pleasing to the eye, I was having to learn to use my ears as well as my eyes when it came to very precise placing of text. There was something too staccato about the line separation of the words ‘tugging’ and ‘at me’ and, in the end, we put them on the same line to lessen the effect.  
This is all very subtle and probably passes unnoticed by the reader, but if it contributes unconsciously to a harmony in the book between eye and ear, then it’s worth doing.
Lisa and I are giving a workshop, Creative Use of Typography in the Children’s Book on 21 May 2011 as part of the SCBWI Illustrator Master Class series -

And finally, Chris in his article mentions all the people who have helped Plaister Press come about. I’d like to add his name to that list with a big 'thank you' for his unwavering belief in the success of our venture. 

Wednesday, 24 February 2010

SUMMER STORY BOAT & JAN MARK

When a friend told me she had bought a narrow boat and was thinking of turning it into a story boat for children, I was reminded of the Summer Story Boat in Hertfordshire and a story telling event I did alongside Jan Mark back in the late 1980s. It was the first time I'd met Jan, though I knew her books. We both had sons with us. It was a sunny day and there were large audiences of young children on the banks by the boat. Jan's son Alex, was very helpful during her workshops, I remember. But my son, who was much younger, started to develop a fever and my final workshop of the day had to be curtailed so I could rush him off to a doctor.

This memory is tinged with sadness as Jan died in 2006 in her prime. Here's a link to another of Chris Stephenson's Carousel articles: